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映画検閲と現代インド
https://keisen.repo.nii.ac.jp/records/510
https://keisen.repo.nii.ac.jp/records/510aa15b5c4-1e82-4749-8b27-04f85e6154af
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
映画検閲と現代インド (82.1 kB)
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| Item type | 紀要論文(ELS)_JAIRO Cloud（WEKO3）対応_9c8f75df(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2005-03-01 | |||||
| タイトル | ||||||
| タイトル | 映画検閲と現代インド | |||||
| タイトル | ||||||
| タイトル | On Film Censorship in India Today | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ページ属性 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | P(論文) | |||||
| 論文名よみ | ||||||
| その他のタイトル | エイガ ケンエツ ト ゲンダイ インド | |||||
| 著者名(日) |
杉山, 圭以子
× 杉山, 圭以子 |
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| 著者名よみ |
スギヤマ, ケイコ
× スギヤマ, ケイコ |
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| 著者名(英) |
SUGIYAMA, Keiko
× SUGIYAMA, Keiko |
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| 著者所属(日) | ||||||
| 値 | 恵泉女学園大学 | |||||
| 著者所属(英) | ||||||
| 言語 | en | |||||
| 値 | Keisen University | |||||
| 抄録(英) | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | The right to freedom of expression is one of the best yardsticks with which to measure democracy. But such a right is merely ostensible unless it is put into practice. The eighth Mumbai International Film Festival (MIFF/2004) in India was mired in deep controversy. Vikalp : Freedom for Films, a parallel film festival was organised at the same time by nearly 300 documentary filmmakers from various parts of the country to screen films unfairly rejected by the goverment-organised MIFF, or withdrawn voluntarily from the same in solidarity with the filmmakers. They came to fight a censorship clause for the festival and to offer people a choice ... vikalp, an alternative. Included in the reject list were films on communalism, caste, gender, sexuality and the environment, which had already been screened at various international film festivals and won awards. In India the Central Board of Film Certification (CBFC), also known as the Censor Board of India, decides the fate of the world's largest film factory. But those who make the abovecinema of resistence' in substance boldly use the medium to record and dissect social and political conflict in the country. However hard the situation is, it is a line that the independent documentary filmmakers, whose production is of recent origin, have begun to take with something responsive to the society. | |||||
| 雑誌書誌ID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10085244 | |||||
| 書誌情報 |
恵泉女学園大学人文学部紀要 en : Keisen University Bulletin 巻 17, p. 103-120, 発行日 2005-03 |
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